Queenie's Corner: Review: Jon Bon Jovi & Friends, Starland .

onstage for Southside Johnny for a few numbers, and vacated the premises for a fifteen-minute stretch while his set of Friends took center stage. He did some of his own material, too. Sixteen songs into the show, Bon Jovi gave the crowd what it wanted the most, playing "Wanted, Dead or Alive," "You Give Love a Bad Name," "Who Says You Can't Go Home," and "We Weren't Born to Follow," the principal single from "The Circle" LP. Later, he'd encore with an acoustic - and considerably defamiliarized - version of "Living on a Prayer," his signature song. The show - not rather a Bon Jovi concert, and not rather a blithe classic pop revue - was held to benefit the Parker Family Health Center, a clinic in Red Bank. The Center provides primary care, immunization, mammograms, diabetes treatments, and other services for Monmouth County residents (the Parker Family clinic counts 85,000) who are underinsured or uninsured. Bon Jovi spoke about the importance of the Parker Family Health Center between songs, and discussed his own continuing commitment to its operation. He talked about the clinic without rock star bluster; he was conversational, and, at times, emotional. That gravity colored his performances. He opened the record with a slow acoustic rendition of the Beatles' "Help," turned "Lonely" (a call from the "Lost Highway" sessions) into a plaintive entreaty, and, most remarkably, stripped the usual triumphalism from "Livin' On a Prayer." Instead of soaring to the high chorus, he altered the melody, kept his voice low, and allowed his six-voice choir to sing the hook. On Thursday night, Gina and Tommy weren't just defiant rock and rollers: They were broke kids lost in the system, maybe a little frightened, too. They were the kind of people, Bon Jovi implied, who might need the services of the Parker Family Health Clinic. This reimagining stripped some of the exhilaration from the song, but it demonstrated its flexibility. "Livin' on a Prayer" is more than merely an arena-rock shoutalong. The concert came on the heels of a Billboard.com interview in which Bon Jovi drummer Tico Torres, in an unguarded moment, admitted he could use an extensive breather. Guitarist Richie Sambora was quick to dispel the idea of a Bon Jovi hiatus, but as the veteran rock group nears the end of the touring cycle for "The Circle," the immediate future of the set is in question. If Torres really does need some time off - and let's be fair, the guy has been pounding it out at the drumkit nonstop since "The Circle" came out - don't be surprised if the Bon Jovi frontman throws himself even further into charitable, or even political, efforts.JON BON JOVI & FRIENDS "Help" (Beatles cover) "So You Wanna Be a Stone and Roll Star" (Byrds cover) "See See Rider" (traditional blues song associated with Chuck Willis) "Glad All Over" (Dave Clark Five cover) "I Can't Help Myself" (Four Tops cover) "Pretty Woman" (Roy Orbison cover) "Blue Bayou" (Linda Ronstadt cover, Jon Bon Jovi offstage) "Lonely" "Nothin' But a Party" (with Southside Johnny) "Hold on I'm Coming" (with Southside Johnny) "Start Me Up" (Rolling Stones cover) "She's Not There" (Zombies cover, Jon Bon Jovi offstage) "Ooh Child" (Five Stairsteps cover, Jon Bon Jovi offstage) "Somebody to Love (Jefferson Airplane cover, Jon Bon Jovi offstage) "Build Me Up Buttercup" (Foundations cover, Jon Bon Jovi offstage) "Midnight Confessions" (Bobby Bandiera vocals) "Wanted Dead or Alive" "We Weren't Born to Follow" "You Give Love a Bad Name" "Who Says You Can't Go Home"ENCORE "Livin' on a Prayer" "Treat Her Right" (with Southside Johnny) "634-5789" (with Southside Johnny)source

Jon Bon Jovi sings for a favorite charity at Starland Ballroom "You did a just deed," Jon Bon Jovi told the sold-out house at the Starland Ballroom in Sayreville, at the conclusion of his ninety-minute concert. He'd led his seventeen(! piece group through rock classics ("Start Me Up," "So You Wanna Be a Stone and Roll Star") and pop-soul favorites ("Glad All Over" by the Dave Clark Five, Wilson Pickett's "634-5789"), made room